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When embarking on a design career, you’re full of ambition and expectation. But once the humdrum of daily deadlines sets in, it’s easy to forget why you decided to be one in the first place, let alone appreciate all the upsides of the job.
We’re here to set that straight by reminding you of 10 reasons you should be happy to be a designer. It doesn’t matter whether you specialise in print design or web design; whether you make apps or physical products: these universal truths about the life and career of a designer will remind you of all the good things about your job.
So the next time you’ve got an impossible deadline, or you overhear someone saying their nephew can design a website for a fiver, keep these in mind. Your job rocks, and you should be happy about it!
01. You get paid for being creative
The most obvious reason to be happy you’re a designer is that you get paid for being creative. Although sometimes design can be a procedural discipline, it does allow you to flex your creativity on an ongoing, daily basis.
02. You work in a constantly changing field
One of the very best things about the design world in general is that it’s constantly evolving and redefining itself. Not only does the discipline itself mature, in terms of the media you’ll find yourself working with, but you’ll also see shifts in aesthetic approach and fashion over time.
This constant reinvention and willingness to try new ideas means designers are exciting people to be around. So lap it up!
03. You influence the bottom line
As a designer you’re often tasked with producing work that acts as the interface between a company and its customers. So whether you’re working on a layout for a magazine, crafting a website or work in industrial design, you’re the person who controls the user’s experience.
This can have a substantial effect on a company’s performance – think in terms of Jonny Ive at Apple, or the Dyson range of vacuum cleaners. It’s an important and incredibly rewarding position to be in.
04. You can pick your projects and clients (well, eventually)
In the beginning, you have to accept every scrap of work that comes along. But once you have some experience under your belt, you should be able to manoeuvre yourself a position where you can start to pick and choose both your clients and projects.
This is an empowering and affirming place to find yourself, so if you’re not there yet, it’s something to look forward to. And if you are, be happy – you’ve made it!
05. Every day is different
A lot of jobs are ‘Groundhog Day’ treadmills that make you feel that every day is the same. For design, not so.
In the main, every day brings new challenges, problems to solve and projects to get creative with. This constant supply of fresh requirements makes for an interesting and stimulating job.
06. You can make a positive difference to the world
Your role as a designer doesn’t need to be a purely commercial one. Your skills can also be directed towards altruistic ends, and have a dramatic impact on the world.
A great example of this is the (RED) project, which donates money raised from branded products to HIV/AIDS programmes in Africa. Giving is good, and as a designer you’re well placed to be able to contribute meaningfully.
07. You get to see people interact with your work
As a designer you get to observe people interacting with your work regularly. And whether it’s seeing someone lap up a book you typeset, or enjoy a website you designed, seeing your work in action on a daily basis can be both gratifying and motivating.
08. You can work flexible hours
This one mainly applies to freelance designers, but if you work for yourself, or even sometimes when you work on contract, you’re able to choose when and where to work.
This offers an excellent opportunity to strike a work/life balance that suits your circumstances and needs. And it also means that if you’re a night owl and can work more effectively at 11pm than at 11am, you can incorporate this into your working routine.
09. You can create your own specialism
Regardless of the field of design you work in, there’s always scope to develop and specialise within your area of expertise.
Some designers focus on a particular style or technical approach to work – by using specific materials, a vernacular approach or a limited palette. Others will look at specific skills such as typographical engineering or working with paper in 3D.
As a designer there’s no limit to your ability to use your creativity to find your own unique style, approach and specialism.
10. Inspiration is everywhere
More than perhaps with any other profession, designers can find inspiration and ideas all around them. Whether it’s a walk in the woods or a trip to the supermarket, you can find shapes, colours, type and imagery to inspire you everywhere you go.
This ability to experience the world and draw it into your work is phenomenally rewarding, and also means you can justifiably claim that you’re working while browsing Creative Bloq…
40 YEARS IN THE KITCHEN ..
ASTRA offers a comprehensive range models Traditional and Modern, reflecting a growth market that has solid roots, the result of a rich tradition of craftsmanship and passion for their work, typical of the Alto Livenza Furniture District.
PHILOSOPHY AND QUALITY ASTRA
The cutting of the wood takes place in a controlled manner so as not to deplete the woodland and forest heritage. The same multi-layer used in some parts of our kitchens is primarily a natural choice in line with the concept of bio-architecture, and is also an environmentally friendly product because it does not use raw materials in process of exhaustion, in line with sustainable development.The structures consist of elements with wood composites derived from 100% recycled wood. This allows us to have the mark ‘ECOLOGICAL PANEL Guaranteed 100% recycled wood’.
It is placed a special attention to the issue of formaldehyde (gas suspected of being carcinogenic) that the melamine continues to emit for many years even after the purchase.
Unlike what happens in Italy, in Germany there is a very strict law that defines the amount of formaldehyde that may be issued. The melamine that respects the values set by the German law is therefore much closer to our health and is defined CLASS E1: ASTRA exclusive use of this.
The suspended hood is cylindrical to recall the shapes of the curves of the bases, as well as the hanging of the terminal module.
Gotta love this twist on the rice cooker! Called the “Haier Multipurpose Cooker”, it takes the versatility of this popular appliance and multiplies it times 3! Instead of one unit for steaming, it features three cooking hubs with containers of different sizes.
Even though it’s not larger than a standard cooker, this means you can prepare multiple dishes at once. Better yet, each container can be removed, taken “to-go” and even washed independently, so you can avoid using plastic or disposable containers!
The Multipurpose Cooker seems like the perfect choice for the people who live solo. Allowing you to prepare three meals at once and store them for later consumption, this may just be the kitchen appliance trend for the future! A whole range of products that allows people to multitask, because time is oh so precious!
Designer: Dousan Miao
Showroom displays flowers like Ferraris
SHANGHAI – July’s Flowers rides an emerging new wave of contemporary florists, smashing old-fashioned horticulture and floral design traditions with striking arrangements that answer to modern needs.
Designed by Alberto Caiola, the store’s interior juxtaposes Shanghai’s edgy counterculture using a spectrum of materials – balancing brushed metal finishes with terrazzo textures in the flooring. Large mirrors on the ceiling and positioned at an angle create the illusion of a higher volume, reflecting bouquets of flowers that appear to defy the laws of gravity. At the same time, concrete beams revealing the original structure of the building have been left exposed, shattering the illusion and restoring focus to the real blossoms below.
The interior feels like a luxury car showroom; with large glass storefronts, high ceilings and reflective surfaces. However, flowers are the centrepiece of the design here.
Displayed in clustered pots adjacent to large mirrored dishes, the result is a kaleidoscope of blooms and leaves refracted to intriguing effect. A designated showroom area displays a curated selection of floral products and design pieces that glitter against the store’s raw concrete background. Navigating the space, visitors experience a play of brilliance and transparency, as well as movement of living colour and shape, which car showrooms – with their static machines – can never achieve.